Four of my San Diego plein air paintings are showing at the Solana Beach Library in Encinitas. The art will be on site June 11th through August 3rd, 2016. There is a reception open to all on Saturday, July 16th at 2:00 to 4:00pm.
All four paintings are plein air works, in 16×20 inch landscape format. Each is identically framed in solid wood with dark, espresso color, red distressed undertones and a gold liner. They look very elegant in these frames! Click on an image in the slideshow below to learn more about that painting and to see larger images.
One of the challenges of plein air painting is working within a limited budget of time. The interplay of a moving sun and fleeting clouds make swift work integral to capturing the scene. A changing scene may force the painter to work from memory, which is not as accurate as direct observation. And after all, really, who has the stamina (or is it the lunacy?) to paint for hours out in the elements? Thank goodness, most of my plein air painting sessions finish in under two hours, before I can become dehydrated and sunburnt. I completed this 11×14 inch plein air painting of San Elijo Lagoon in about an hour and a half. Having a pre-toned (a neutral gray) substrate helped the work to go quickly because there was no “white space” to cover and the toned background filled in the gaps in the superseding paint layers.
My goal in painting in plein air is not to make a photo-realistic depiction of the scene but rather to suggest something truthful, with expression but that also looks good when framed and hung on a wall. Plein air painting provides the added benefit of being stretched by new challenges but also keeping the “chops” tuned for studio work.
The San Elijo lagoon and nature center is one of the great places in San Diego to visit at twilight. Either early in the morning or in the evening before sunset, hiking the well maintained trails and boardwalk there is a peaceful and fascinating experience. You will see the play of the wind on the surface of the tidal waters and the fronds of the grasses in the marsh. Reflections of light, dance, shimmer and change with each breath of wind. The silence is ocassionally broken by the cry of foraging birds or the sudden splash of fish jumping out of the water.
San Diego has a past that is inextricably linked with the Spanish colonization and works of the Catholic Missionaries that established the first outposts of Western Civilization on the American continent. In Santee, California, about five miles from Lakeside, CA where I live, is the site of the first water collection system created by the Spanish Missionaries. Known as “Padre Dam,” it is now a ruin that is part of the Mission Trails Regional Park system. This dam provided water for agriculture which supported the established Mission de Alcala, about three miles to the West, where the missionaries and the indigenous people interfaced.
The dam, with its water and pools makes a picturesque subject and provides some green relief in this long period of drought we’ve had in Southern California. Even in the hottest part of this dry year, there is still a trickle of water that flows here in the San Diego River–a river that originates in the Laguna Mountains that rise to just over 6000 feet, some 25 miles to the East.
This plein air painting was finished early in the morning while the air was still cool and the shadows were long. The temperatures rose above 100 degrees fahrenheit later in the day and it was good to finish this 11 x 14 inch panel before it became truly miserable.
I painted quickly to capture the colors and light of the moment, as well as a sense of place.
Gray, gloomy days are a real challenge for the plein air painter. Capturing the light is what plein air painting is all about and when that light is not cheerful, colorful or dramatic, it can be difficult to find inspiration. This plein air painting was painted at the mouth of the San Diego River, early on an overcast, gray May morning. Luckily, there were some dramatic moments where transient shafts of light momentarily peeked through the thick, cloud layer, illuminating the vegetation and meandering course of the river. These hints of color and bright reflections provided the impetus to capture that tonal difference and bring this image to life. I knew this day would be gray, so I decided in advance to “embrace the gray” and make the best of a challenging situation. It helped that I had previously toned my panel with a neutral gray that would support the composition. That’s the nature of plein air–one has to adapt and make the best of the view and the weather in a given place. Here’s the result of my effort that morning…
I’ve done a few paintings in the last weeks that I’ve yet to post on this blog, so here they are. These were painted on site around San Diego County, mostly with the San Diego Plein Air Painters group , of which I’m a member. I’m also a member of the Laguna Plein Air Painters Association — LAPAPA, as well as the Southern California Plein Air Painters Association –SOCALPAPA and the San Diego Museum of Art Artist’s Guild — SDMAAG.