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“Mele Kalikimaka” Hawaiian #Pleinair Painting Trip

Mele Kalikimaka 2014

Mele Kalikimaka is the thing to say
On a bright Hawaiian Christmas Day
That’s the island greeting that we send to you
From the land where palm trees sway…

I guess after all I was not so naughty this year that I wasn’t able to make a Christmastime excursion with my beautiful wife, Jackie, to the Hawaiian Island of Maui.

This wasn’t a “painting only” trip, so I only made time for two 11 x 14 in. panels but they were both lots of fun to paint.  Even though the Trade Winds were fierce during one of the painting sessions, I managed to finish with no mishaps.

Though probably not the wisest thing to do, I diverged from my usual painting methods on this air travel trip and was winging it (no pun intended) with a color palette and paints I had never used before. To lighten the load and simplify things for flying, I chose to go with a five color palette and used water mixable oil paints for the first time.

It was really surprising how well it all worked out!

The colors I brought along were:

Cobra© Water mixable oils

  • Primary Cyan
  • Primary Magenta
  • Primary Yellow

Sennelier©

  • Mars Black  (a warm and fast drying black without the bluish cast of Ivory Black)

Rembrandt©

  • Payne’s Grey (I find it indispensable)

Gamblin©

  • Flake White Replacement (non-toxic and creamy consistency)

Each morning of painting, I pre-mixed a very vibrant chromatic palette from the three water mixable “primaries” which produced some very convincing greens, oranges, and fuchsias, as well as deeper purples.  I was careful not to “overmix” the paint piles, leaving striations of broken color in the mixes.  A sealable “Guerilla Painter” 9 x 12 in. palette tray kept the paint fresh and protected inside my pochade while exploring for a suitable view to paint.

This color palette worked very well and much to my relief, there was no problem mixing the “oil” paints with the water miscible paints.  The Cobra paints especially were surprisingly “creamy” in consistency and were very easy to mix and move about on the panel. While painting, when I felt I needed a little more “flow,” I used a mixture of my standard recipe medium, transported in an eye dropper bottle that consisted of equal parts stand oil, turpentine, and dammar varnish.  I brought no solvents because they must not be flown over (TSA will confiscate)  and it is an extra trip to the hardware store to get some when you arrive and then there’s nowhere to conscientiously dispose of it when you leave.

Another interesting thing about creating these two paintings is that I used one single brush the entire time!  I brought my brush wallet but became so engrossed in the painting process and not wanting to waste any time in capturing the light that I worked only with a single, quarter-inch “bright” hog bristle brush. I held a paper towel sheet in my left hand and wiped the brush clean between different colored passages.  I was able to make a surprising variety of marks with the stiff but springy little bristle bright. The only other implements I used to apply or mark the paint were my finger and in some few instances I removed paint with a cotton swab, which are essentials that I always pack when I paint en plein air.

All said and done, I had a great time in Hawaii and having the opportunity to paint made the trip just that much more special.

I’d like to say to any reader who chanced here and happened to read this far…

Here we know that Christmas
Will be green and bright
The sun to shine by day
And all the stars at night
Mele Kalikimaka is Hawaii’s way
To say Merry Christmas to you!

 

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D.T. Fleming Beach, Kapalua Plein Air Outing

North to Honolua

In my earlier post, Hawaii Whirlwind Tour, I neglected to post the image of the painting I did on the first morning. It was really windy on the beach at that time and I caught the easel three times as it was about to fall over.  After that, I just kept my left hand on it as I painted. It was early and very cloudy, up in the West Maui Mountains off to my right but every once in a while there would be a gap in the clouds and the sunrise light would shine through and light up the face of the waves. It was a sudden color explosion that was absolutely amazing. A big black carpenter bee came down and investigated my canvas thoroughly a couple of times but didn’t bother me after that.  I guess he approved. I hope you do too.

Plein air painting of D.T. Fleming beach in Kapalua, Maui

 

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Hawaii Whirlwind Tour

Recently, Jackie (my beautiful wife) and I went to Hawaii to carry out the last wishes of Jackie’s long time friend, Brian Levi. Brian was the recording engineer who recorded Jackie’s music and she kept in touch with him over the years, eventually becoming his attorney and the executor of his estate…you see, unfortunately, Brian passed away recently after a long battle with cancer (smoking). His last wish, codified in his will, which left the entirety of his estate to Saint Jude’s Children’s Hospital, was for Jackie and I to take his remains to Maui and have a burial at sea, which we did last week on Brian’s birthday, spending three days on the Island.

The burial at sea was beautiful, with a Hawaiian ti-leaf wrapped urn for Brian, flower leis, and rose petals. When Jackie dropped in the urn and the lei, a big puff of wind came and made a circular mark on the surface of the water around the lei and swirled the rose petals, which danced across the water in the whirlwind. A huge humpback whale fully breached from the water, tail and all when Jackie mentioned Brian’s love of flying model planes in the eulogy. She said, “You loved flying, and today is a good day to fly. Happy Birthday, Brian!” and the whale leaped out of the water, on cue!

Brian loved art and was a big fan of my artwork. I am sure he would be happy to know that I took my paints to Hawaii and did a couple of paintings while I was there. In fact, I felt his presence more than once as I painted. Thanks to him, I had the opportunity.

The Maui Plein Air Painters invitational competition was just wrapping up when we arrived. I got to see some of the paintings (the ones that hadn’t sold yet) at the Village Gallery in Lahaina. There were some top-notch painters there for that week. Maybe one day, I’ll be invited. We’ll see. Hawaii is amazingly beautiful with a clear light that really makes the colors vibrant and full of life. Here are some images and shots of the paintings I did while I was there.

The first night there, the moon was full. I got a shot of it above the palms and Cook Pines of Kapalua.

Mauimoonshine

My first painting was in the morning at D.T. Fleming Beach, in Kapalua, West Maui.

FlemingBeachPleinAir

You can see the finished painting, here  After painting, I took some photos of foliage on the way back to the hotel room.

HawaiiColors

And on the next morning, I found a place to park my pochade (small painting box for those who’ve never heard that term) and work until I got rained out. In Kapalua, in February, showers come and go with frequency. They never last too long and create some beautiful rainbows. In any case, I had to pack up the kit before I finished and had to complete this one back in San Diego. Here are some pics:

Cooksetup

And the (almost) finished painting…there have been a few more minor touches since this photo.

Kapalua_Pines_lr

I hope to go back some day, pay Brian a visit, and paint a few more things.

Aloha!